Immersive Film Projects

REEDUCATED: The New Yorker

Reeducated takes viewers inside one of Xinjiang’s “reeducation” camps, guided by the recollections of three men who were imprisoned together at the same facility. The film was a partnership with The New Yorker and supported by The Pulizter Center, Eyebeam, and ONA.

Sundance 2020: After The Fallout

After The Fallout is an immersive mosaic that evokes the emotional gravity of life in Fukushima, ten years after the 2011 nuclear disaster. The film takes you through surreal environments in the exclusion zone, and explores the lives of families as they navigate a new world which they have had to adapt.

VOLUM

Volum set out to make multi-camera volumetric open source technology, both hardware and software, accessible and field-friendly for journalists, storytellers, and creatives around the world.

National Geographic: The Okavango experience

The Okavango Experience is a 4 part series shot in stereoscopic 360 video for National Geographic. The series follows a team of conservationist on an expedition across the Okavango Delta, one of the last surviving wetland wildernesses on the planet.

New York Times, ARTE, AJ+ : We Who Remain

We Who Remain is the first character-driven VR film shot in an active war zone. It brings you into the lives of four people – a journalist, a student, a mother, and a rebel soldier – who struggle to persevere over the challenges of making their lives in an unceasing war. We Who Remain had its world premier at the South By Southwest festival in Austin Texas in 2017 and won the SIFF award for best VR experience. It was a co-production with The New York Times, AJ+, ARTE, and Emblematic Group.

New York Times: The Daily 360

Over the course of 2017 I shot a series of videos for the New York Times Daily 360 Project. These shoots took place across the globe from Kenya, to Ireland, to Germany to Hell Michigan to inside a chimps mouth.